CONTEXT:
Ever since their appearance in Europe over a thousand years ago, the “Roma” – the ethnonym that the Roma use to describe themselves – have been labeled with derogatory, disparaging, and ethnically insulting words such as “G*psy”, “Zigeuner”, “Zingari”, “Cygan”, etc…, words derived from the Greek “Atzinganoi”, which translates as “untouchable”. These designations reveal a brutal social hierarchy which continues to plague and condemn the Roma to a pariah status in many places world-wide, subjecting them to constant discrimination and persecution - punctuated by infernal periods of enslavement and genocide. For centuries, literature about the Roma came exclusively from the ‘outside’, by non-Roma authors looking in, and it is precisely this literature that has persistently perpetuated ethnic, social and cultural stereotypes that have proven so harmful to this minority. It is not until the twentieth century – but essentially only in the past fifty years, that Roma poets and writers have begun to express themselves in written form in Romani (or Romanes), a macrolanguage of Romani communities, or in the vernacular of the countries or regions within which they reside. These are watershed years, since for the first time, the Roma ‘speak’ from ‘within’ to authentically express what has been shrouded in the fog of popular imagination for ages.
WORK DESCRIPTION:
O Lungo Drom (“The Long Road” in Romanes) (2022) is an oratorio that tracks the history of the Roma and Sinti (a subgroup of the Romani people found mostly in Germany) through the words of Sinti/Roma poets and writers themselves. This oratorio contains many significant ‘firsts’: it is the first oratorio on a Romani subject, the first that sets multiple texts by Romani authors, and the first to be set to music by a
Rom. O Lungo Drom integrates texts from thirteen different poets from thirteen different Roma/Sinti authors in ten languages and Romanes dialects, organized in a three-part narrative: I. Ascent - II. Nadir - III. Vista. Along with a Danse Macabre, Litany and echoes of Lili Marleen from Auschwitz, these voices combine to pave and express worlds of melancholy, grief, nostalgia, and exultation through rhapsodic, bittersweet, elegiac and introspective lyricism.
The ensemble for the première, and the commissioning entity for the work is the Alban Berg Ensemble Wien (ABEW), a Universal Music Group/DGG recording ensemble, with their first album released in July 2020. The ensemble is supported by the Alban Berg Stiftung/Foundation in Vienna (which also supported the Alban Berg Quartett in a similar role, the Hugo Wolf Quartet having studied directly with the ABQ). The ABEW (flute, clarinet, piano & string quartet) - along with soprano Clara Meloni, baritone Christoph Filler and cimbalomist László Rácz - just recorded the work for Decca in the Franz-Liszt Zentrum Raiding (the birthplace of Franz Liszt, the first great Western composer to recognize Roma culture in his own works) in the Burgenland outside Vienna. O Lungo Drom will be released by Decca/Universal in spring 2024 and distributed globally by Decca Eloquence, based in Australia, the executive producer being Cyrus Meher-Homji, senior vice-president of Universal Classics and Jazz.
The work was commissioned by the Alban Berg Ensemble Wien, and is dedicated to Romani Rose, head of the Central Council of German Sinti and Roma.
ROMANI ROSE, dedicatee of the work:
The oratorio, commissioned by the Alban Berg Ensemble Wien is dedicated to Romani Rose (https://en.wikipedia.org/wiki/Romani_Rose), Germany’s leading Sinti and Roma human rights activist in Germany. Rose, born in Heidelberg in 1946, lost 13 relatives in the Holocaust. Since June 1979 he has led the work for the civil rights of German Sinti and Roma before the eyes of the German as well as the international public; he has also fought for their protection from racism and discrimination, for compensation for the survivors of the Holocaust – at the same time announcing the magnitude and the historical importance of the genocide of 500,000 Sinti and Roma in National Socialist occupied Europe. Following a hunger strike in 1980 in the former Dachau concentration camp, then Chancellor Helmut Schmidt officially recognized the Nazi genocide against the Sinti and Roma. This led to the founding of the Central Council of German Sinti and Roma
in 1982, for which Romani Rose was voted to the position of Chairman by the delegates of the member organizations – then nine, now 16 state and regional associations – and since then has been confirmed in his post every four years at the member meetings. From 1991, Rose took over the management of the Documentation and Culture Centre of German Sinti and Roma in Heidelberg. For years he has been known by the federal and state governments for his resoluteness and for his persistent and unyielding work. Rose was also one of the driving forces behind the Memorial to the Sinti and Roma Victims of National Socialism in Berlin.
ALBAN BERG ENSEMBLE WIEN:
O Lungo Drom was commissioned by the Alban Berg Ensemble Wien
http://www.albanbergensemblewien.com. For the Decca recording they are joined by soprano Clara Meloni https://www.clarameloni.com, baritone Christoph Filler https://www.machreich artists.com/en/artist/christoph-filler, and virtuoso cimbalomist László Rácz. This international cast of musicians perform in some of the world’s most acclaimed opera houses and instrumental chamber groups and orchestras, such as the Opéra de Nice, Opéra de Lausanne, Théâtre National de Marseille, Opéra de Nancy, Opéra de Lyon, Opéra de Lille, Edinburgh Festival and Opéra de Metz, Deutsche Oper am Rhein Düsseldorf, the Staatstheater Darmstadt, the Theater St. Galle, and the MusikTheater an der Wien the Vienna-based Hugo Wolf String Quartet, the Berliner Philharmoniker, Wiener Symphoniker, Wiener Philharmoniker, Wiener Staatsoper, Orchestre National de France, Kammerorchester des Bayerischen Rundfunks and the Johannesburg Symphony Orchestra, et al.
Decca Eloquence Australia releases O Lungo Drom (The Long Road), an oratorio on the Sinti and Roma people
Konzerthaus Berlin
World Première 10th anniversary of the inauguration of The Memorial to the Sinti and Roma Victims of National Socialism in Berlin
Sponsoring ...
Konzerthaus Berlin
College of the Holy Cross Brooks Concert Hall
College of the Holy Cross Brooks Concert Hall
Thompson Room Harvard University
Harvard’s FXB Center: Confronting State Violence across the Globe
Ralf Yusuf Gawlick's O Lungo Drom (The Long Road) as a post-conference musi...
Thompson Room Harvard University
Boston College Gasson Hall
Boston College Gasson Hall
Kraków Philharmonic Hall
Roma Holocaust Memorial Day - 80th anniversary commemorating the liquidation of the Zigeunerlager in Auschwitz-Birkenau
Sponsoring organizati...
Kraków Philharmonic Hall
Radio Kraków Kultura interviewed Ralf Gawlick on their radio program Kultura na co dzień (Culture in everyday life) in a feature entitled:
"O Lungo Drom" - pierwsze oratorium o losach Romów i Sinti
("O Lungo Drom" - the first oratorio about the fate of the Roma and Sinti)
Westdeutscher Rundfunk interviewed composer Ralf Yusuf Gawlick on their radio program Tonart.
Boston College music professor Ralf Gawlick’s journey to find his birth mother resulted in a startling discovery that transformed his work.
In an interview with The Boston Musical Intelligencer, composer Ralf Yusuf Gawlick discusses "O Lungo Drom", an oratorio on the Sinti and Roma people.
Review in the Boston Musical Intelligencer of the April 6, 2024, US première of O Lungo Drom at Boston College.
This account supplements an earlier review of the US première of Ralf Yusuf Gawlick's 2022 oratorio.
Ralf Yusuf Gawlick received an inaugural MCC Grant for Creative Individuals, an unrestricted grant given to Massachusetts artists, culture bearers, and creative practitioners to equitably advance creative expression throughout the state's diverse communities.
Radio Télévision Suisse (RTS) presented O Lungo Drom on their radio program Pavillon suisse. The feature begins at 1:56:30.
Radio Télévision Suisse-Espace 2 columnist, host, and producer Francesco Biamonte writes on Lili Marleen in O Lungo Drom in the Revue Musicale Suisse / Schweizer Musikzeitung.
The article is found on p.28.
Reflection by pianist and composer Thomas Schwan
The Long and Boundless Road
Inspired by Ralf Yusuf Gawlick's oratorio O Lungo Drom (The Long Road), classical pianist and author Simon Tedeschi reflects on the power of art in LIMELIGHT, a Music, Arts & Culture Magazine.
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